Fandom: Angel
Title: An Echo, A Ghost, A Whisper
Author: Em
Rating: PG-13 for suggestive language
Word Count: ~820
Spoilers: set Season 5 after "Timebomb," opening lines from "Not Fade Away"
Pairing: Wesley/Fred, Illyria (Wesley/Illyria)
Prompt: Wesley/Fred, Illyria, angst
Summary: Fred is a virus affecting Illyria every day she breathes and lives and sees . . . Wesley.
Dedication: For
clez,
dragonbetween,
electrcspacegrl,
fairydarling,
hope99_31516,
lavender_elf,
lmichelle599,
scifigirl, and
supercheesegirl
Notes: Written as part of the 2005 Gift Fic Project for my flist.
Special thanks to
janedavitt for betaing duties.
An Echo, A Ghost, A Whisper
"Would you like me to lie to you now?"
"Yes. Thank you. Yes."
-Not Fade Away
Spike dared to say that Illyria, the God King, was merely an echo, a ghost, a whisper flitting about Wolfram & Hart, barely there, barely able to affect the world in any lasting way. The world, yes. But the world is no longer Illyria's concern. There is only one in this world who concerns her—Wesley. Illyria has the power to affect Wesley . . . because she is an echo, a ghost, a whisper.
More remains of Winifred Burkle than just the shell. Illyria can become her—if she wishes. Illyria can remember her. There are times when Illyria believes she can think like her, not just look like her. Winifred—Fred—is her skin and lies beneath her skin.
There are moments when Illyria actually fears.
Illyria is not a virus that infected Fred. No, Fred is a virus affecting Illyria every day she breathes and lives and sees . . . Wesley.
"Are you testing the structural integrity of the door frame, or might I pass?" He is sarcastic to Illyria, more so now that they've siphoned off her power. Strangely, Illyria enjoys the sarcasm. Yet there is a part of her that understands that the sarcasm is foreign to these ears. That is the only reason it grates.
Illyria steps aside.
He leaves, carrying books and papers. He looks haggard, stubble on his chin, shirt wrinkled and un-tucked. Illyria only knows this is not his normal appearance from Fred's memories. In Fred's memories Wesley is clean-shaven, wearing pressed pants, cardigans, button-down shirts with a neat tie and jacket. He has glasses that he frequently adjusts and rubs clean, the nervous habits of a man longing for an untouchable woman.
But then there are memories of them touching.
His lips on her face, his hands wrapping around her thin waist, fingers bruising the skin because he wants, has wanted for so long, and finally. . . . She arches into him, their chests and stomachs pressing together, thin shirts separating their skin, but she feels naked, natural, like this is how things always should have been.
Other lovers vanish from her mind and there is only Wesley, only Wesley.
"Fred," he whispers in her memory.
Illyria cocks her head sharply. Her hands are no longer blue. She has slipped into the Winifred Burkle form without realizing she has done so.
Wesley will be displeased.
She inclines her head, her hair tumbling off her shoulders. She intends to shift back, but stops. The ceiling is a dark wood and Illyria can see the history of the trees. The lines stretch back through a time during which Illyria didn't exist. The tree is part of the Earth and Illyria was nothing, not part of the Earth, not part of the other worlds; she was in a place indescribable, impossible to remember. But she knows the tree's history, knows when it was cut down, how the tree felt. She can't touch time the way she once did, but sometimes time reaches out to her, knowing that she can see into it.
She sways on her feet, the spell breaking, the history fading until she is in her flesh prison again.
"What are you doing?"
She spins faster than she means to. Wesley is at the door.
He throws the books on the chair by the door. Dust rises from loose pages—it's an original text Wesley's thrown.
He's huffing, trying to control his temper, barely bottled in. Fred remembers him like this only a few times and is frightened because she knows the line Illyria has crossed.
"It was unintentional," Illyria says.
"Unintentional?" Wesley's voice hisses in a way that is not entirely displeasing. "You shift at will, Illyria. Stop testing me."
Illyria cocks her head. "Testing?" Wesley is the one testing her. First they tested her powers, then her patience, her loyalties, her bounds and restraints, the amount she would bleed, and how she would serve the mortal masters of the Wolf, Ram, and Hart. Now Wesley tests her resolve, her emotion, her . . . humanity.
Her lips curl, but Wesley is the one who looks disgusted.
He turns away, speaks his words to his desk because it will listen better than Illyria. "You promised to never be her again."
Illyria shifts her form. She hadn't meant to hurt him.
Fred stutters apologies in her mind, says, "Wesley, I'm so sorry. Wes, I didn't mean it." She puts her arms around Wesley and he melts into her embrace because he can't deny her; he loves her in a way that is more terrible than any evil Illyria ever wrought.
Illyria turns away and leaves. She doesn't know how to apologize, to feel grief, to comfort, to cry.
Fred will teach her these things.
She hates Fred for it.
When Fred is done, Illyria still won't be human, still won't be pleasing, still will be an echo, a ghost, a whisper of the woman Wesley loves.
~Comments and feedback are appreciated.
Title: An Echo, A Ghost, A Whisper
Author: Em
Rating: PG-13 for suggestive language
Word Count: ~820
Spoilers: set Season 5 after "Timebomb," opening lines from "Not Fade Away"
Pairing: Wesley/Fred, Illyria (Wesley/Illyria)
Prompt: Wesley/Fred, Illyria, angst
Summary: Fred is a virus affecting Illyria every day she breathes and lives and sees . . . Wesley.
Dedication: For
Notes: Written as part of the 2005 Gift Fic Project for my flist.
Special thanks to
"Would you like me to lie to you now?"
"Yes. Thank you. Yes."
-Not Fade Away
Spike dared to say that Illyria, the God King, was merely an echo, a ghost, a whisper flitting about Wolfram & Hart, barely there, barely able to affect the world in any lasting way. The world, yes. But the world is no longer Illyria's concern. There is only one in this world who concerns her—Wesley. Illyria has the power to affect Wesley . . . because she is an echo, a ghost, a whisper.
More remains of Winifred Burkle than just the shell. Illyria can become her—if she wishes. Illyria can remember her. There are times when Illyria believes she can think like her, not just look like her. Winifred—Fred—is her skin and lies beneath her skin.
There are moments when Illyria actually fears.
Illyria is not a virus that infected Fred. No, Fred is a virus affecting Illyria every day she breathes and lives and sees . . . Wesley.
"Are you testing the structural integrity of the door frame, or might I pass?" He is sarcastic to Illyria, more so now that they've siphoned off her power. Strangely, Illyria enjoys the sarcasm. Yet there is a part of her that understands that the sarcasm is foreign to these ears. That is the only reason it grates.
Illyria steps aside.
He leaves, carrying books and papers. He looks haggard, stubble on his chin, shirt wrinkled and un-tucked. Illyria only knows this is not his normal appearance from Fred's memories. In Fred's memories Wesley is clean-shaven, wearing pressed pants, cardigans, button-down shirts with a neat tie and jacket. He has glasses that he frequently adjusts and rubs clean, the nervous habits of a man longing for an untouchable woman.
But then there are memories of them touching.
His lips on her face, his hands wrapping around her thin waist, fingers bruising the skin because he wants, has wanted for so long, and finally. . . . She arches into him, their chests and stomachs pressing together, thin shirts separating their skin, but she feels naked, natural, like this is how things always should have been.
Other lovers vanish from her mind and there is only Wesley, only Wesley.
"Fred," he whispers in her memory.
Illyria cocks her head sharply. Her hands are no longer blue. She has slipped into the Winifred Burkle form without realizing she has done so.
Wesley will be displeased.
She inclines her head, her hair tumbling off her shoulders. She intends to shift back, but stops. The ceiling is a dark wood and Illyria can see the history of the trees. The lines stretch back through a time during which Illyria didn't exist. The tree is part of the Earth and Illyria was nothing, not part of the Earth, not part of the other worlds; she was in a place indescribable, impossible to remember. But she knows the tree's history, knows when it was cut down, how the tree felt. She can't touch time the way she once did, but sometimes time reaches out to her, knowing that she can see into it.
She sways on her feet, the spell breaking, the history fading until she is in her flesh prison again.
"What are you doing?"
She spins faster than she means to. Wesley is at the door.
He throws the books on the chair by the door. Dust rises from loose pages—it's an original text Wesley's thrown.
He's huffing, trying to control his temper, barely bottled in. Fred remembers him like this only a few times and is frightened because she knows the line Illyria has crossed.
"It was unintentional," Illyria says.
"Unintentional?" Wesley's voice hisses in a way that is not entirely displeasing. "You shift at will, Illyria. Stop testing me."
Illyria cocks her head. "Testing?" Wesley is the one testing her. First they tested her powers, then her patience, her loyalties, her bounds and restraints, the amount she would bleed, and how she would serve the mortal masters of the Wolf, Ram, and Hart. Now Wesley tests her resolve, her emotion, her . . . humanity.
Her lips curl, but Wesley is the one who looks disgusted.
He turns away, speaks his words to his desk because it will listen better than Illyria. "You promised to never be her again."
Illyria shifts her form. She hadn't meant to hurt him.
Fred stutters apologies in her mind, says, "Wesley, I'm so sorry. Wes, I didn't mean it." She puts her arms around Wesley and he melts into her embrace because he can't deny her; he loves her in a way that is more terrible than any evil Illyria ever wrought.
Illyria turns away and leaves. She doesn't know how to apologize, to feel grief, to comfort, to cry.
Fred will teach her these things.
She hates Fred for it.
When Fred is done, Illyria still won't be human, still won't be pleasing, still will be an echo, a ghost, a whisper of the woman Wesley loves.
~Comments and feedback are appreciated.
Tags:
no subject
Date: 2005-12-23 10:04 pm (UTC)Thanks!
no subject
Date: 2005-12-23 10:25 pm (UTC)(no subject)
From:(no subject)
From:no subject
Date: 2005-12-24 12:16 am (UTC)Beautifully sad. Wonderfully done.
no subject
Date: 2005-12-24 05:22 pm (UTC)no subject
Date: 2005-12-24 12:31 am (UTC)Too much angst. *sigh*
no subject
Date: 2005-12-24 05:21 pm (UTC)*huggles*
no subject
Date: 2005-12-24 02:46 am (UTC)no subject
Date: 2005-12-24 05:25 pm (UTC)no subject
Date: 2005-12-24 04:37 am (UTC)no subject
Date: 2005-12-24 05:26 pm (UTC)no subject
Date: 2005-12-24 10:28 pm (UTC)no subject
Date: 2005-12-24 10:44 pm (UTC)Thank you. Really. All sarcasm aside, that's the best feedback I could possibly get.
no subject
Date: 2005-12-29 01:45 pm (UTC)no subject
Date: 2005-12-29 08:28 pm (UTC)no subject
Date: 2006-01-06 12:48 am (UTC)no subject
Date: 2006-01-06 02:04 am (UTC)(no subject)
From:(no subject)
From:ooo
Date: 2006-01-11 07:02 am (UTC)Re: ooo
Date: 2006-01-14 04:58 pm (UTC)no subject
Date: 2006-02-01 12:55 am (UTC)And of COURSE Illyria loved Wesley. Joss said so, as did Amy Acker. Yay-canon!!!
no subject
Date: 2006-02-01 01:39 pm (UTC)There were so many specifics about it that really impressed me, such as Illyria's "communing" with the ceiling planks.
Thank you. That moment just felt right to me. Actually it grew out of me doing the same movement in a fit of frustration and becoming endlessly fascinated with the ceiling.
The best thing about it, I think, was that it perfectly captured the shift in power in their relationship. ... Your fic summed up that entire, major change, without making Illyria come off as overly emotional or weak. It's a tricky balance, and you got it.
Thank you so much. There was such a major shift in their relationship and I think the main reason was that Illyria loved Wesley and allowed him certain things she wouldn't have allowed anyone else. Illyria isn't overly emotional, but she is vulnerable. I often wonder how much of that vulnerability is Illyria and how much is Fred. Vampires are "tainted" because of the people they "infect"—they retain the person's thoughts and feelings—Illyria is quite similar to a vampire except she retains her own memories as well as Fred's. How confusing it must be to remember what she was and to remember Fred at the same time.
Illyria is just such an interesting character to explore.
And of COURSE Illyria loved Wesley. Joss said so, as did Amy Acker.
Really? I missed that announcement.
Thank you again for your wonderful comment. It really made my day.
(no subject)
From:no subject
Date: 2006-02-01 02:01 am (UTC)no subject
Date: 2006-02-02 01:33 am (UTC)no subject
Date: 2006-02-01 02:24 am (UTC)My only criticism is Wesley's reaction to her change. Perhaps you could've had her change back too quickly for him to really realize what he'd seen, except maybe (like you put it) the ghost of Fred, a flash of what Illyria once was. The only reason this is criticism is because it's ground that was already covered in the show. It goes somewhere were we've already been before. But I ADORE the idea that Illyria might find comfort or joy in reverting to this form by herself.
no subject
Date: 2006-02-02 01:40 am (UTC)Thank you, I really appreciate that. I have sympathy for Illyria, but I also understand how some people couldn't connect to her vulnerability.
It goes somewhere were we've already been before.
I agree. I actually hesitated to include it but it was so natural that I felt like I had to leave it in. I felt like one more slip, right after "The Girl in Question" could have fit in all right. You do have to squint a bit to make it match canon, but overall I felt like the sentiment and emotion was more important than matching canon. At least this once. I'm usually insanely anal about matching canon. ;)
Thank you so much for your detailed comments. I really appreciate it. Good luck on your own story!
no subject
Date: 2006-02-01 10:37 am (UTC)no subject
Date: 2006-02-02 01:42 am (UTC)Thanks so much for your comment.
no subject
Date: 2006-02-01 01:40 pm (UTC)no subject
Date: 2006-02-02 01:44 am (UTC)no subject
Date: 2006-02-01 11:24 pm (UTC)Wes/Illyria was my first AtS 'ship, but I haven't revisited it in a while and just -- wow. This is such a great use of canon while adding more insight into Illyria's point of view. Just wonderful. I love the notion of Illyria involuntarily slipping into Fred, and the insight that his sarcasm is foreign to her -- which is true; Fred is one of the few people he was never sarcastic towards. Just -- guh, this is wonderful.
no subject
Date: 2006-02-02 01:46 am (UTC)I really enjoyed writing this. There's little lines in this one that are some of my favorite lines I've written. I'm so glad people have enjoyed it as much as I do.
no subject
Date: 2006-02-02 02:00 am (UTC)no subject
Date: 2006-02-06 02:39 am (UTC)no subject
Date: 2006-02-02 03:24 am (UTC)no subject
Date: 2006-02-06 01:59 pm (UTC)no subject
Date: 2006-02-02 09:41 am (UTC)Yet there is a part of her that understands that the sarcasm is foreign to these ears. That is the only reason it grates.
That was really lovely, very Illyria and yet we can hear the humanity comming in.
Loved the last sentence as well.
no subject
Date: 2006-02-06 02:03 pm (UTC)I love the last sentence as well.
no subject
Date: 2006-02-03 12:32 am (UTC)no subject
Date: 2006-02-03 12:33 am (UTC)(no subject)
From:no subject
Date: 2006-02-24 12:04 pm (UTC)This is wonderful. Weslyria is my favorite 'ship ever, probably because we never got to see it happen and now never will.
I've always, always had sympathy for Illyria. She's got a lovely sort of vulnerability to her despite being older than anything.
no subject
Date: 2006-03-02 08:56 pm (UTC)She really is quite vulnerable despite being older than dirt. Her world is gone and she really doesn't have a place in this one—and she knows it. I really think her relationship with Wesley was quite beautiful and I hope it is officially explored in some way in the future.
no subject
Date: 2006-04-27 10:49 am (UTC)no subject
Date: 2006-04-27 04:13 pm (UTC)no subject
Date: 2006-09-16 02:54 am (UTC)no subject
Date: 2006-09-18 04:08 pm (UTC)Thank you so much
Date: 2008-03-06 06:02 pm (UTC)Do you have any more BTVS or ATS stories?
Re: Thank you so much
Date: 2008-04-13 10:18 pm (UTC)Do you have any more BTVS or ATS stories?
I only have a handful of BTVS and ATS stories. In general I'm satisfied with canon for those series and don't feel compelled to play with fanfic. ;) But everything can be found in my memories: Angel and Buffy.
no subject
Date: 2008-03-16 01:43 am (UTC)no subject
Date: 2008-03-16 02:14 am (UTC)no subject
Date: 2008-06-10 04:18 pm (UTC)no subject
Date: 2008-06-28 01:44 pm (UTC)